One of the things I’ve been working on over the last few years is the printing and mounting of my own photographs. In part this stems from experience many years ago when I was shooting film and joined the Queen’s Photo Club. This was long after graduation but I joined the club so that I could get access to the darkroom. I never attended a meeting but did spend a good deal of time in that darkroom up to my eyeballs in various chemicals. It was all very tedious, smelly and at the end of the day not the most rewarding experience. I did learn a bit about developing and things like dodging and burning but I only had one photo that I ever thought was a nice print.
So today my darkroom is on the laptop and the only smell is coming from the coffee cup cooling beside me. Since I spend a good bit of time carefully editing my shots it only makes sense to try to maintain some control over the finished printed product. I have experimented with numerous printing services but none have provided me with a satisfactory print.
Another concern is the size of the printed image…actually the dimensions…but…as we all know size is important too.
The dimension issue is simple…my camera take images that have dimesions of 1:1.5…which translate as 4 X 6; 8 X 12; 10 X 15…you get the idea. There’s not a lot of quality paper out there that comes in the 8 X 12 dimension…lots of quality paper in 8.5 X 11 but if I use that paper I have to make an 8 X 10 print which means I have to crop my image. And for some of my images, especially the landscapes, if I crop I end up with crap. I’m not against cropping per se but I usually like to keep the same dimensions that I saw through the lens.
For some time I used 8.5 X 11 paper but I used a printed dimension of 7.25 X 10.825, which gave dimensionally pleasing printed images but made matting and mounting a pain. So…while I was doing this I also started cutting my own mats to fit the images. Having moved to somewhat smaller accommodations I don’t have room for my mat cutter etc so image dimension has once again reared it’s ugly head.
I have discovered a few mats at Michaels that are 11 X 14 overall matted for 8 X 12 and that work just fine. I simply take a large 13 X 19 sheet and cut it in half…the 19 not the 13…and I end up with a 9.5 X 13 sheet that can easily take an 8 X 12 print and still fit the 11 X 14 mat.
I have discovered that some images lend themselves very well to a 1:1 ratio (see…I’m not against cropping), but finding a mat at 1:1 is also a bit difficult. I have purchased mats cut to a specific size from MatShop on the “inter-web” and I may have to go back to them and try again with their speicialized service.
There’s a downside to all of this perfection seeking and that’s the fact that you have to do a lot of experimenting to get close to what you want. I’m not there yet but I am getting a bit closer.
There’s also a cost involved that initially can be daunting as you go through reams of various types of photo paper and gallons of printer ink…not to mention the ruined mats when you use the right handed mat cutter with your left hand.
I was reminded of some of this wastage recently as I fired up the old Epson Stylus Photo R2000 after a rather lengthy hiatus from printing. The reason for not printing (aside from the Italy trip) was the fact that one of the 8 ink cartridges this thing uses (the Cyan T1592) was empty. When this happens with the R2000 you can’t print anything…which I guess does help with all that experimentation as at least the ink colour variable stays the same.
I had been getting ink from Henry’s but they moved out of town. I’ve also gone to my very trusty friends at Camera Kingston for ink but decided, since I only needed one cartridge, to buy direct from Epson using the “inter-web”. It was reasonably priced and very quick as it was delivered right to the door…well actually the mailbox in the lobby.
Sooo….all systems good to go…Right? Wrong! It seems that leaving your printer all by itself for a few months really pisses it off…so much so that it clogs it’s own nozzles without any help from you. To add to this wee issue my wireless connection seemed to have developed a glitch and only part of the image I was testing was getting through. So the first test print, an absolutely magnificent monochrome production of mine (he said with a smirk), came out in a lovely robin’s egg blue…well half of the image came out in that colour.
Unclogging the nozzles is done automatically by the printer but had to be done several times before they actually got unclogged. This uses ink. Solving the wireless glitch never really happended. After making several adjustments and running off a few prints in various stages of development from half way there to nearly there except for the last quarter inch…and of course chewing up some nice photo paper in the process…I resorted to hardwiring the damn thing into the router. Works fine now.
This wireless problem is a mystery to me as the laptop is 5 feet from the router, which is 2 feet from the printer. Perhaps we’re all just too close together. I should also point out that at this stage of the process I’m starting to run out of the other inks as well and I haven’t yet decided which way to go with the next purchase, although I’d better not delay too long in getting more ink…I think the printer can read this now that it’s hardwired in.
The good news is that after all the fuss I managed to print 4 reasonable offerings for the Kingston Photographic Club 2nd Round Competition which is due today. I did compromise by going the 8 X 10 route as I had a few mats of that type lying around. They won’t win any prizes but I am happy with the results using 3 different types of photo paper for the 4 images.
Next photo blog I’ll chat a bit about the things I’ve discovered about photo paper and those wonderful things called ICC profiles.
In the meantime if you have any comments or suggestions or advice please fee to send it along to furrasan@gmail.com.
Ciao
I set out on this trip to follow my Father and the men of 10th St Catharines Field Battery who spent 19 months from July, 1943 until February, 1945 fighing in Sicily and Italy. Along the way I visited the grave sites of the 5 gunners from 10 Bty who were killed in action and as a form of remembrance I left a stone from the Canadian Shield with a red maple leaf, on each man’s marker.
at Castello Lancellotti in Lauro during that time and I met a very dear man who helped me solve that mystery. I even managed to find the Grand Hotel in Riccione where my Dad had a 7 day pass in October of 1944.

We’re soon off and down by the Arno again crossing the Ponte alle Grazie. Cat has suggested visiting the Giradino di Boboli so we head that way. It’s a very steep and long climb up a narrow street to the top and when we get there we find it’s a trap. The only way forward is through the garden gate which is going to cost us E20. We decide it may not be worth it and anyway we want to see the Ponte Vecchio which we saw as we crossed the Arno…so back down the hill and an amble across this bridge which has a zillion jewellery shops on it. The buildings appear to have been former houses, much like the original London Bridge. All very quaint but somewhat spoiled by the glitter of gold and silver.
Our feet are aching so we head to the roof-top of the Luchessi as pointed out by the bus driver. The view is indeed quite spectacular and we are obliged to have a seat and a glass of white. Since we are guests at the Mulino we are entitled to a 10% discount, which I duly leave for the waiter who told us this.
We enter at Porta S. Donata and head to the centre. In one small square we find a fairly recent statue of Puccini and in the corner of the square a museum dedicated to his life. Around the square are a number of restaurants, Madame Butterfly, Tosca, Paris Boheme, well….you get the idea.
The size is quite amazing and it differs significantly from the austere look of the Commenwealth War Graves. This one has the same sort of perspective that exists in Washington D.C., looking up from the Lincoln Memorial. The crosses are on either side of a very long, wide grassed area with the statue of brothers in arms at the end in the centre of a memorial building. The building has a chapel on the left and on the right a room with a visual description of the American involvement in the Sicily/Italy Campaign.
It’s a University centre and all the young kids ambling around tell the tale. After settling in I went for a walkabout and I just love this place. Winding, narrow streets, cafes and tiny shops all over the place…a photographers dream. It would take quite a long time to discover all the hidden gems here. The receptionist gave me a great map and pointed out the outdoor escalator across the street that made climbing to the centro storico very much easier. He marked out a great little hour long route. Along the way I saw two other outdoor escalators. going from top to bottom. Ancient beyond belief with all the mod cons.

The Hitler line extended pretty much in a straight line from the mountains to the east, through Aquino and on to Pontecorvo, then on to the coast at Gaeta. It was in the section between Aquino and Pontecorvo that the Canadians had to cross the Liri then the Melfa. I stopped in Pontecorvo because I could see on the map that there is a bridge in town over the Liri River. This bridge would have been blown by the time the boys got there but a quick look suggests that the middle part looks pretty old while both ends look like they’ve been worked on so maybe they destroyed both ends and not the middle…but then what do I know…I only took one year of engineering.